By Michael North
In Novelty, Michael North takes us on a blinding travel of greater than millennia of considering the matter of the hot, from the puzzles of the pre-Socratics all of the manner as much as the artwork global of the Sixties and ’70s. The phrases of the controversy, North indicates, have been proven sooner than Plato, and feature replaced little or no seeing that: novelty, philosophers argued, may well basically come up from both recurrence or recombination. the previous, present in nature’s cycles of renewal, and the latter, noticeable so much truly within the workings of language, among them have accounted for almost the entire ways that novelty has been conceived in Western heritage, taking in reformation, renaissance, invention, revolution, or even evolution. As he pursues this concept via centuries and throughout disciplines, North indicates awesome diversity, drawing on figures as varied as Charles Darwin and Robert Smithson, Thomas Kuhn and Ezra Pound, Norbert Wiener and Andy Warhol, all of whom provide alternative ways of grappling with the assumption of originality.
Novelty, North demonstrates, is still a primary challenge of up to date technological know-how and literature—an ever-receding objective that, in its complexity and evasiveness, keeps to motivate and propel the fashionable. A heady, formidable highbrow banquet, Novelty is wealthy with perception, a masterpiece of perceptive synthesis.
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Novelty: A History of the New by Michael North